Analyzing The Socioeconomic Status In India English Literature Essay

Society, the word itself means a big group of people who live together in an organized manner, doing determinations about how to make things and sharing work that needs to be done. However, things do non stay the same every clip and so the effects of this alteration affect people ‘s head. In The God of Small Things, by Arundhati Roy, a similar type of society is shown where things fall apart and people try to follow a modern manner of life life which finally turns out to be inappropriate Your Project Will Be Done Swiftly! – see more http://www.abandonia.com/en/user/3952551 . This type of society that is described in Roy ‘s novel demo how people and community perceive societal norms that build up a society during the post-independence period in India. At the terminal of the novel, the caste-system, the ageless love and the men-women functions in society affect people ‘s ideas and emotions. These things assist to exemplify how a shockable society punishes people for offending the societal boundaries.

In the novel, The God of Small Things, Roy uses the character of Velutha to underscore on the societal boundaries that were fixed for the Harijans during post-independence epoch in India. Velutha, being a Paravan was considered an untouchable which were excluded from the India society. Although, he was born to a household of Paravans, the abilities he had were applaudable in even the upper-class of the society.

It was Velutha.

. . .

It had a light-brown nevus, shaped like a pointed dry foliage. He said it was a Lucky Leaf ; that made the Monsoons come on clip. A brown foliage on a black dorsum. An fall foliage at dark.

A lucky foliage that was n’t lucky plenty.

Velutha was n’t supposed to be a carpenter.

He was called Velutha-which agencies White in Malayalam-because he was so black. His male parent, Vellya Paapen, was a Paravan. A toddy tapster. He had a glass oculus. He had been determining a block of granite with a cock when a bit flew into his left oculus and sliced right through it. . . . Pappachi would non let Paravans into the house. Cipher would. They were non allowed to touch anything that Touchables touched. Caste Hindus and Caste Christians. Mammachi told Estha and Rahel that she could retrieve a clip, in her maidenhood, when Paravans were expected to creep backwards with a broom, brushing away their footmarks so that Brahmins or Syrian Christians would non sully themselves by by chance stepping into a Paravan ‘s footmark. In Mammachi ‘s clip, Paravans, like other Untouchables, were non allowed to walk on public roads, non allowed to cover their upper organic structures, non allowed to transport umbrellas. They had to set their custodies over their oral cavities when they spoke, to deviate their contaminated breath off from those whom they addressed. ( Roy 70 )

In this quotation mark, Roy illustrates how Velutha was treated in the society despite of his acuteness and wonder to work on things that were impossible for the work forces in the upper-class. The line “ A lucky foliage that was n’t lucky plenty. ” foreshadows an unexpected or a different behavior that could happen with Velutha which might acquire him into some problem. Roy uses these lines to demo how the Harijans were treated severely and frequently experienced some problem. Besides, the line “ A brown foliage on a black dorsum ” points out initial rhyme to the sound of “ B ” that highlight Velutha ‘s visual aspect which made him particular for the twins. Roy uses these lines to underscore on the Harijans who were restricted from making many things in the society but the character of Velutha show an exclusion in Paravans whose capablenesss exceed their caste. In the post-independence period, Paravans were refused to walk on the roads as there might be a opportunity of a Brahmin by chance stepping on their footmarks. Addition to this, they were refused to speak, transport umbrellas and much more which highlight their lower status. Roy deliberately uses these lines in her novel to demo how people perceived the Harijans during the post-independence epoch which changed their ideas sing societal norms. This farther affected their positions sing people who crossed the societal boundaries.

In the novel, The God of Small Things, Arundhati Roy shows how traversing the societal boundaries affect Velutha ‘s life which finally brings him decease. Velutha, being a Paravan was refused to take part in certain societal activities. Vellya Paapen cautioned Velutha but he ne’er obeyed his male parent and eventually crossed the societal bounds which suffered him till decease.

When Mammachi decided to envelop the back gallery, it was Velutha who designed and built the sliding-folding door that later became all the fury in Ayemenem. Velutha knew more about the machines in the mill than anyone else.

. . .

Vellya Paapen feared for his younger boy. He could n’t state what it was that frightened him. It was nil that he had said. Or done. It was non what he said, but the manner he said it. Not what he did, but the manner he did it. Possibly it was merely a deficiency of vacillation. An indefensible confidence. In the manner he walked. The manner he held his caput. The quiet manner he offered suggestions without being asked. Or the quiet manner in which he disregarded suggestions without looking to arise. While these were qualities that were absolutely acceptable, possibly even desirable, in Touchables, Vellya Paapen thought that in a Paravan they could ( and would, and so, should ) be construed as crust. Vellya Paapen tried to admonish Velutha. But since he could n’t set his finger on what it was that bothered him, Velutha misunderstood his addled concern. ( Roy 72 )

In this quotation mark, Roy illustrates how Velutha ‘s wonder and avidity to work finally do him problem. The line, “ It was non what he said, but the manner he said it. Not what he did, but the manner he did it. ” foreshadow Velutha ‘s farther actions which were inappropriate. The words “ what and manner ” are given emphasise to demo Velutha ‘s actions that were different and unexpected. Besides, Roy ‘s usage of “ An indefensible confidence ” juxtapose Velutha ‘s promises to his actions which were unneeded. The line “ his addled concern ” personify “ concern ” by giving him the human quality of “ clutter ” which highlight Velutha ‘s confusion sing his actions. This quotation mark shows the construct of caste-system as Velutha ‘s actions force people to comprehend the societal norms in a different position. This ultimately brings a alteration in their perceptual experience sing people who cross the societal restrictions. However, there is a quotation mark by Earl Warren which gets related to what Roy illustrates in her novel sing Velutha:

We are now at the point where we must make up one’s mind whether we are to honor the construct of a plural society which additions strength through diverseness, or whether we are to hold acrimonious atomization that will ensue in ageless tenseness and discord.

In the early old ages of independency, the caste-system was meant to be purely followed and traversing the societal boundaries was badly opposed by the society. Velutha ‘s character in Roy ‘s novel show the same behavior which change people ‘s perceptual experience. This quotation mark by Earl Warren tell us how to see society as one and non otherwise.

In the novel, Arundhati Roy uses the construct of social-classes to demo how transgressing of societal boundaries are offended by the people in society. This is supported by demoing the sexual relationship between Ammu and Velutha that is against the caste-system. They both have crossed the restrictions and so they are strongly opposed in the society.

Slowly the panic seeped back into him. At what he had done. At what he knew he would make once more. And once more.

She woke to the sound of his bosom strike harding against his thorax. As though it was seeking for a manner out. For that movable rib. A secret sliding-folding panel. His weaponries were still around her, she could experience the musculuss move while his custodies played with a dry thenar frond. Ammu smiled to herself in the dark, believing how much she loved his arms-the form and strength of them, how safe she felt resting in them when really it was the most unsafe topographic point she could be.

. . .

They chose him because they knew that they had to set their religion in breakability. Stick to Smallness. Each clip they parted, they extracted merely one little promise from each other:

Tomorrow?

Tomorrow.

They knew that things could alter in a twenty-four hours. They were right about that.

. . .

She turned to state it one time once more: “ Naaley. ”

Tomorrow. ( Roy 319 )

This quotation mark demonstrates how the societal boundaries are crossed by Ammu and Velutha which is offended by the society. The line “ She woke to the sound of his bosom strike harding against his thorax. ” personifies “ sound of the bosom ” which is given the human quality of “ strike harding ” . This demonstrates the fright that strikes Velutha reminding him of what he had done. Roy deliberately uses “ how safe she felt resting in them when really it was the most unsafe topographic point she could be. ” to demo irony as Ammu and Velutha are punished for being together and being engaged in a sexual relationship that is unaccepted in the society. The given quotation mark illustrates flashback as the narrative goes back before the clip when Ammu and Velutha met each other and were engaged in a sexual relationship. This behavior is subsequently known to the remainder of the characters which affect the manner they perceive the societal norms. Roy uses disjointed timeline to do the secret plan more interesting. Roy uses these lines to emphasize on caste-system and foreground a shockable society where people have strong social positions. The undermentioned quotation mark relates to the lines used by Roy in her novel:

We can non take freedom established on a hierarchy of grades of freedom, on a caste system of equality like military rank. We must be free non because we claim freedom, but because we pattern it.

This quotation mark explains as how people should follow caste-system. This reflects on what Roy shows her readers in the novel.

In the novel, Roy shows how Mammachi ‘s love towards Chacko is one of the alone loves that is described in the novel. Mammachi started loving Chacko more after he prevented Pappachi from crushing her. However, she was covetous of Margaret being with Chacko. This reflected on Chacko ‘s relationship with Margaret Kochamma and finally affected his life.

Of class Mammachi would hold despised Margaret Kochamma even if she had been heir to the throne of England. It was n’t merely her working-class background Mammachi resented. She hated Margaret Kochamma for being Chacko ‘s married woman. She hated her for go forthing him. But would hold hated her even more had she stayed.

The twenty-four hours that Chacko prevented Pappachi from crushing her ( and Pappachi had murdered his chair alternatively ) , Mammachi packed her wifelike baggage and committed it to Chacko ‘s attention. From so onwards he became the depository of all her feminine feelings. Her Man. Her lone Love. ( Roy 160 )

The line “ Mammachi would hold despised Margaret Kochamma even if she had been heir to the throne of England ” is dry as it shows how Mammachi dislikes Margaret Kochamma and would hold hated her even if she was the queen of England. This illustrates Mammachi ‘s hatred towards Margaret Kochamma. Roy uses “ But would hold hated her even more had she stayed ” to bode the terminal of relationship between Chacko and Margaret Kochamma. The line “ From so onwards he became the depository of all her feminine feelings. Her Man. Her lone Love. ” shows prefiguration as Mammachi starts loving Chacko even more and so tolerates and even facilitates his personal businesss with the mill workers although she was horrified when she heard about Ammu-Velutha relationship. This thought demonstrated by Roy in her novel is related to the quotation marks by Agatha Christie and Susan D. Anderson:

A female parent ‘s love for her kid is like nil else in the universe. It knows no aw, no commiseration, it dares all things and crushes down mercilessly all that stands in its way.

This quotation mark by Agatha Christie high spots Mammachi ‘s love for Chacko. This love as described in the quotation mark is alone. As it says “ it dares all things and crushes down mercilessly all that stands in its way ” it explains that nil can be compared to this love and anything that tries to make bold this love or seek to stand in its way can be crushed ferociously.

Remember, no affair how many tapers you blow out this twelvemonth, there ‘s one gal who will ever believe of you as immature, strong and fine-looking – your female parent.

This quotation mark by Susan D. Anderson points out how female parents will ever hold a positive attitude towards their kids ignoring how they really are. This relates to Mammachi and Chacko as how Mammachi tolerates Chacko ‘s personal businesss with the mill workers although she was shocked with Ammu-Velutha relationship.

In the novel, Arundhati Roy highlights the love between Chacko and Margaret Kochamma and shows how their relationship comes to an terminal despite of both loving each other. Chacko and Margaret Kochamma met each other for the first clip when Margaret was working as a waitress at a coffeehouse in Oxford.

Bing with Chacko made Margaret Kochamma feel as though her psyche had escaped from the narrow confines of her island state into the huge, excessive infinites of his. He made her feel as though the universe belonged to them-as though it lay before them like an opened toad on a dissecting tabular array, imploring to be examined.

In the twelvemonth she knew him, before they were married, she discovered a small thaumaturgy in herself, and for a piece felt like a blithe jinni released from her lamp, She was possibly excessively immature to recognize that what she assumed was her love for Chacko was really a probationary, fearful, credence of herself. ( Roy 233 )

In this quotation mark Roy shows the love uses “ Bing with Chacko made Margaret Kochamma feel as though her psyche had escaped from the narrow confines of her island state into the huge, excessive infinites of his ” to demo irony depicting the true feelings and love that Margaret had for Chacko. The line “ for a piece felt like a blithe jinni released from her lamp ” shows simile as Margaret is straight compared to “ a blithe jinni released from her lamp ” demoing how free she felt while being with Chacko. In ulterior old ages, Margaret married to Joe who was a life scientist and better than Chacko in everything. When Joe died, Margaret accepted Chacko ‘s invitation to Ayemenem for Christmas. These lines used by Roy Tell about Margaret ‘s perceptual experience of love. The love between Chacko and Margaret Kochamma show their true feelings for each other. However, a little misinterpretation and greed for money to populate a munificent life style highlight the terminal in their relationship.

Where you find true friendly relationship, you find true love. ”

This quotation mark relates to the friendly relationship between Margaret Kochamma and Chacko. However, their love for each other was ne’er finished and this can be proved when Margaret Kochamma accepted Chacko invitation to see Ayemenem for Christmas after Joe ‘s decease.

But one ever returns to one ‘s first love

This quotation mark by Etienne relates to Margaret Kochamma and Chacko ‘s life. Margaret leaves Chacko for Joe but finally after Joe ‘s decease she accepts Chacko ‘s invitation and comes back to see him in Ayemenem during Christmas. This shows that Margaret did non bury Chacko and returns to see her first love.

In the novel, The God of Small Things Roy shows how the little things in life sometimes have the biggest things to offer. Ammu falls into a sexual relationship with him cognizing that society wo n’t comprehend them as they want.

As he rose from the dark river and walked up the rock stairss, she saw that the universe they stood in was his. That he belonged to it. That it belonged to him. The H2O. The clay. The trees. The fish. The stars. He moved so easy through it. As she watched him she understood the quality of his beauty. How his labour had shaped him. How the wood he fashioned had fashioned him. Each board he planed, each nail he drove, each thing he made had molded him. Had left its cast on him. Had given him his strength, his lissome grace.

He wore a thin white fabric around his pubess, looped between his dark legs. He shook the H2O from his hair. She could see his smiling in the dark. His white, sudden smiling that he had carried with him from boyhood into manhood. His lone baggage. ( Roy 316 )

The line “ the universe they stood in was his ” shows metaphor by indirectly comparing the “ the universe they stood in ” to “ his ” which meant Velutha. “ He moved so easy through it ” is dry as it tells about Velutha ‘s life and his actions being so easy and speedy. This is apparent as the things that were around him were the lone things that he was familiar with – “ The H2O. The clay. The trees. The fish. The stars. ” The lines show flashback and speak about Ammu ‘s vision of Velutha while he crosses the river and comes towards her. Ammu is happy to be with Velutha cognizing that they are traversing the societal boundaries which will impact people ‘s positions towards them. She is cognizant of the fact that people do non hold the same perceptual experience and their relationship will alter as how people perceive societal norms. The relationship between Ammu and Velutha is based on true love and the quality of beauty that Ammu finds in Velutha although he is a Paravan. This shows Ammu ‘s true feelings and love for Velutha. Further, this highlights the construct of little things where Velutha is considered to be the little thing but has a batch to offer. He being a Paravan was non a job for Ammu as harmonizing to her even the smallest things on Earth have beauty in them.

True love does n’t hold a happy stoping, because true love ne’er ends.

This quotation mark although consists of few phrases but the phrases explain itself. This quote negotiations about the true love as we see between Ammu and Velutha. This quotation mark tells us that love does non ever have a happy stoping. This reflects as what we see in the novel. Although the book ends with the hopes of tomorrow, the love between Ammu and Velutha does non truly stop with a happy stoping.

In the novel, Roy illustrates how Ammu is disrespected by Inspector Thomas Matthew emphasizing on how adult females were treated with lower status in the society.

Inspector Thomas Mathew ‘s moustaches bustled like the friendly Air India Maharajah ‘s, but his eyes were sly and greedy.

“ It ‘s a small excessively late for all this, do n’t you believe? ” he said. He spoke the harsh Kottayam idiom of Malayalam. He stared at Ammu ‘s chests as he spoke. He said the constabulary knew all they needed to cognize and that the Kottayam Police did n’t take statements from veshyas or their illicit kids. Ammu said she ‘d see about that. Inspector Thomas Mathew came around his desk and approached Ammu with his wand.

“ If I were you, ” he said, “ I ‘d travel place softly. ” Then he tapped her chests with his wand. Gently. Tap pat. ( Roy 9 )

The line “ Inspector Thomas Mathew ‘s moustaches bustled like the friendly Air India Maharajah ‘s ” shows simile by comparing Inspector Thomas Mathew to a Maharajah which means A King demoing the high quality composite that Inspector Thomas Mathew had within him. This reflects on his personality and the type of character he possess throughout the narrative. Roy deliberately uses the statement “ his eyes were sly and greedy ” to body Inspector Thomas Mathew ‘s eyes by giving them the human quality of sly and hoggishness. This portrays his low character. The line “ the Kottayam Police did n’t take statements from veshyas or their illicit kids ” shows metaphor by indirectly comparing Ammu to a “ veshya ” that means a cocotte and indirectly stating that their kids were illicit. Ammu ‘s improper relationship made her reference that name which degraded her social-status. Roy uses these lines to show how men-women functions changed in the society. This is apparent from the manner Ammu is being treated by Inspector Thomas Matthew. Women in the Indian society have a particular position which was misunderstood by different characters in the novel. Womans treated with lower status in the fresh high spots people ‘s perceptual experience towards the men-women functions in the society.

The sad fact is that throughout much of history, gender differences have been used to rule adult females ; in many ways, for many Moons, work forces behaved severely.

This quotation mark from the book, Married but Not Engaged by Paul and Sandy Coughlin talk about the same thought as discussed by Roy in her novel. This quotation mark tells that work forces have been governing society for a long clip where their dominating nature frequently degrades adult females ‘s position.

In the novel, Arundhati Roy uses the character of Ammu to foreground the traditional inequality that existed in India during the early old ages of its independency. Ammu meets her future hubby at a nuptials response and within following five yearss she decides to get married him.

He allowed the silence to take its toll. He allowed the pathetic adult male sitting across the tabular array to get down to agitate. To cry. Then Hollick spoke once more.

“ Well, really there may be an optionaˆ¦ possibly we could work something out. Think positive, is what I ever say. Count your approvals. ” Hollick paused to order a pot of black java.

“ You ‘re a really lucky adult male, you know, fantastic household, beautiful kids, such an attractive wifeaˆ¦ ” He lit a coffin nail and allowed the lucifer to fire until he could n’t keep it any longer. “ An highly attractive wifeaˆ¦ ”

The crying stopped. Puzzled brown eyes looked into lurid, red-veined, green 1s. Over java Mr. Hollick proposed that Baba travel off for a piece. For a vacation. To a clinic possibly, for intervention. For every bit long as it took him to acquire better. And for the period of clip that he was off, Mr. Hollick suggested that Ammu be sent to his cottage to be “ looked after. ” ( Roy 41 )

In this quotation mark, Mr. Hollick tries to explicate Baba his point of position in the initial rhyme “ He allowed the silence to take its toll ” . Besides, these lines show flashback during the clip when Ammu got divorced and how she was treated as a sex-object which indirectly addressed her as a veshya and her kids as bastard. The line “ He allowed the pathetic adult male sitting across the tabular array to get down to agitate. ” shows sarcasm because the word “ pathetic ” is addressed to Baba which is opposite to how the readers perceive him. The line “ Count your approvals. ” shows metaphor as the approvals are indirectly compared to the good actions committed by Baba so far. Mr. Hollick uses these words to do Baba think of the good things he had done that will salvage him from losing his occupation. During the early old ages of independency in India, men-women functions in the society were perceived otherwise. Roy uses these lines to show the type of behaviors shown by Mr. Hollick that exemplify his thought and attack towards the adult females in the Indian society. The manner Mr. Hollick ask Baba to direct Ammu to his cottage to be “ looked after ” highlight the construct of traditional inequality where without thought of the pride that adult females hold in the Indian society, Mr. Hollick mentions about his sexual demands that define his perceptual experience. Further, this shows how people in India during the early old ages of independency had shockable ideas that were surely against the regulations of society.

Gender differences can falsify our believing about relationships. Through female spectacless, male behavior looks a certain manner [ and frailty versa ] and sometimes what seems incorrect may be merely different. Men [ and adult females ] frequently need far more understanding than repairing.

This quotation mark from the book, Married but Not Engaged by Paul and Sandy Coughlin attempt to explicate the same construct as Roy does in her novel. The quotation mark points how the gender differences change our perceptual experience sing the man-woman relationship. Besides, this quotation mark demonstrates that relationships require more understanding than misrepresentation. This gets reflected to Ammu-Baba relationship where their relationship lacks understanding which finally separates them.

In the novel, Arundhati Roy shows how Baby Kochamma ‘s cruel ideas and feelings sing Velutha reflect on the portraiture of her ain character and personality. Baby Kochamma was upset after she was publically humiliated by the Marxist group.

In the yearss that followed, Baby Kochamma focused all her rage at her public humiliation on Velutha. She sharpened it like a pencil. In her head he grew to stand for the March. And the adult male who had forced her to beckon the Marxist Party flag. And the adult male who christened her Modalali Mariakutty. And all the work forces who had laughed at her.

She began to detest him. ( Roy, 78 )

In this quotation mark, the line “ sharpened it like a pencil ” shows simile by comparing Baby Kochamma ‘s choler to a crisp pencil. This fury is seen throughout the novel as Baby Kochamma ever blames Velutha for person else ‘s actions. The line “ She began to detest him ” foreshadows something unexpected in Velutha ‘s life. This was proved when Baby Kochamma filed a deceitful F.I.R. against Velutha, impeaching him as a raper. Baby Kochamma is a type of character that uses person else as a medium to endure for her ain actions. Being treated severely by the Marxist group, she decides to acquire all her defeat out on Velutha. Further, this continues till the terminal of the narrative where babe Kochamma takes advantage of Velutha ‘s social-status and invariably makes him endure. Baby Kochamma ‘s actions and her nature uncover her personality. She files a deceitful F.I.R. which demonstrates her positions sing the societal norms. Her ideas and feelings affect the manner she perceives a man-woman relationship. Roy uses these lines to demo how a adult female can make differences in society. These lines prove how work forces and adult females had altered visions for each other.

Womans tend to be more personal than work forces. Womans have a deeper involvement in people and feelings-building relationships

This quotation mark from the book If He Merely Knew by Gary Smalley and Steve Scott reflect on the character of Baby Kochamma. However, she besides has involvement in constructing relationships as seen with Father Mulligan.

In this manner, these three things that were illustrated by the terminal of the novel aid to specify how people perceive the social-norms in a shockable society. At First, the caste-system helped to demo how Ammu-Velutha relationship was mistaken by the society that created an unusual and ill-mannered behavior among them. The ageless love that was seen in the novel demonstrated how the societal boundaries were crossed which forced people in the society to see things otherwise. Finally, the men-women functions in the society helped to explicate how work forces and adult females treated each other with unequal agencies. Therefore, these three things that were seen in Arundhati Roy ‘s The God of Small Things that changed the perceptual experience of the society gives us a message that its people who define a society and so if people try to understand and esteem each other in a righteous mode so this universe would be a better topographic point to populate.