William Wordsworths Lines A Few Miles English Literature Essay
William Wordsworth ‘s ‘Lines written a few stat mis above Tintern Abbey ‘ is non a convention lay when we think of what traits it possesses. From the term lay we expect a narrative that can be sung, normally incorporating a consistent construction and a formal rime strategy, such as Alfred Lord Tennyson ‘s ‘The Lady of Shallot ‘ . ‘Lines written a few stat mis above Tintern Abbey ‘ engages with the important significance of the relationship between adult male and nature. Wordsworth trades with the subjects of clip, darkness, human experience, and nature in this transition and takes the reader through a journey via an intense and complex dramatic narration.
First, it is evident this is non his first visit to the Bankss of the Wye and the reader is inclined to presume that since his last visit, ‘Five old ages have passed ‘ outright making a reminiscent, brooding experience whilst besides presenting the subject of clip. He continues to emphasize the old ages passed, ‘five summers ‘ and ‘five winters ‘ , this repeat non merely seeks to underscore how long it has been since his last visit but besides to set up the subjects of nature, and of transmutation by adverting the seasons. Wordsworth continues with the debut of ‘these Waterss, turn overing from their mountain-springs ‘ , straight mentioning to the river Wye itself. The river runs a class from beginning to sea and is symbolic of the journey of life, from birth to decease. This is possibly best illustrated subsequently in the verse form when Wordsworth states ‘For though art with me, here, upon the Bankss /Of this just river ; 1000, my dearest Friend ‘ . In these two lines, the river, symbolic of life, about transforms into his sister Dorothy, non merely go oning the impression of the symbolism via an unseeable metabolism but besides foregrounding how Wordsworth has skillfully intended to walk the line between the natural and the human universe. This mention besides provides some account to the construction Wordsworth has adopted ; composing in clean verse alternatively of pairs as earlier complete authors such as Pope may hold used allows this transition to flux much like the river does through Tintern Abbey. The usage of clean poetry besides sanctions an uninterrupted idea sequence. Wordsworth ‘s long sentence construction and frequent usage of punctuation dictates the beat of his poetry and helps to voyage the reader throughout.
Wordsworth usage of negative words such as ‘secluded ‘ , ‘seclusion ‘ and ‘dark ‘ can be deemed as more than merely simply descriptive as they create a really abstract unsimilarity to the beauty he has used when mentioning to the ‘sweet inland mutter ‘ of the river. It would hold been possible for Wordsworth to utilize other, more positive words such as tranquil and fly-by-night, but the knowing dramatic contrast could be understood as his manner of inquiring how nature should be interpreted with a voice of uncertainty and uncertainness.
However, it is possible to reason that this verse form is an single, direct experience depicting a personal response to a natural landscape as Wordsworth continues with a vivid, fluxing description of his milieus. The picturesque imagination of the ‘steep and exalted drops ‘ , ‘These secret plans of cottage-ground ‘ , and ‘these orchid-tufts ‘ license Wordsworth to show a really intuitive procedure of perceptual experience. He uses repeat throughout this transition to foreground his cardinal thoughts and subjects, this is peculiarly evident when he refers to ‘their green and simple chromaticity ‘ , ‘The wild green landscape ‘ and ‘these pastoral farms/Green to the really door ‘ . The word viridity is synonymous with nature, and the map of its repeat in this case is to make a graphic image in the reader ‘s head of what Wordsworth sees instantly around him. Wordsworth ‘s act of physical perceptual experience is built-in to the transition as it further involves the reader with his milieus.
At the terminal of the first stanza, Wordsworth compares the fume from the ‘pastoral farms ‘ with that of fume from ‘some anchorite ‘s cave, where by his fire/The anchorite sits entirely. ‘ This is direct comparing between the rural and the anchorite could make the thought Wordsworth is tie ining beauty with the rural and, loneliness as human trait. The thought of being alone is a important 1 as throughout ‘Lines written a few stat mis above Tintern Abbey ‘ he is emphasized about the personal, slow and intensive experience he is able to happen in the Wye and in the forest that accompanies him.
The verse form so moves through alteration, it becomes less descriptive and more personal, non merely to Wordsworth, but to human nature by and large. He creates an internal transmutation doing the landscape no longer a merchandise of ocular beauty but a journey within oneself, an internal landscape. Wordsworth states how he has ‘owed to them, /In hours of fatigue, esthesiss sweet, /Felt in the blood, and felt along the bosom, /And go throughing even into my purer head /With placid Restoration: ‘ In this subdivision, he about induces the natural landscape into himself, saying how he reminisces when in ‘lonely suites ‘ or ‘mid the din/ Of towns and metropoliss ‘ of the beauty and comfort that one time surrounded him. This Romantic entry to nature begins a slow and complex stanza in which the verse form existences to postulate with the ‘body ‘ and the ‘soul ‘ . Wordsworth continues by meeting much deeper, human, and about philosophical affair when he refers to the ‘weary weight /Of all this unintelligible universe /Is lighten ‘d: ‘ this portion of the transition illustrates how he is able to utilize nature as a signifier of psychological flight.
Wordsworth so describes a enchantment like province whereby ‘the breath of this corporeal frame, /And even the gesture of our human blood /Almost suspended, we are set asleep /In organic structure, and go a living psyche: ‘ this slow and intensive nonnatural experience suggest to his reader that more than a normal being can be found. He proceeds to province ‘with an oculus made quiet by the power /Of harmoniousness, and the deep power of joy, /We see into the life of things. ‘ Wordsworth ‘s terminal to the 2nd stanza possesses a really personal and brooding tone which looks intensely into the ego and completes the transmutation from existent nature, to human nature.
In the 3rd and shortest stanza, Wordsworth repeats ‘how oft ‘ exposing his acquaintance to the feeling of escape provided by the ‘sylvan Wye ‘ . The repeat besides acts as a manner of Wordsworth claiming the landscape. He so proceeds to turn to the Wye and environing forest with a Pagan tone, saying ‘How oft, in spirit, have I turned to thee /O silvan Wye! Thou roamer through the forests, /How frequently has my spirit turned to thee! ‘ Wordsworth seems to be declaring the natural scene is his sanctuary. This is peculiarly interesting and somewhat controversial as the verse form was written above the potentially ivy and moss covered ruins of a Christian church. The repeat of ‘I turned to thee ‘ generates a feel of dependance, and creates a really religious bond to the natural scene Wordsworth before described.
In decision to the analysis of the gap to ‘Lines written above Tintern Abbey ‘ , it is critical to understand Wordsworth ‘s chief subjects of clip, nature, human experience, the religious and the dark. The sense of motion that flows throughout Wordsworth ‘s verse form is important in making understanding and lighting a complete and graphic image in the readers mind. He so uses this apprehension to set up a deep connexion between ego and nature, ask foring the reader to portion an ‘inner ‘ landscape. At the terminal of the selected transition, Wordsworth raises the subject of faith by claiming the natural environment as his sanctuary, saying how he has ‘turned ‘ to it seeking for an flight. The journey Wordsworth invites his reader on offers an interesting grasp of nature and challenges traditional structural thoughts of the lay. However, it is still possible to reason the journey the reader is taken on via his dramatic narration still has many qualities of a traditional lay.
