Female Identity In A Male Dominant Society English Literature Essay

In her novel titled Their Eyess Were Watching God, Zora Neale Hurston portrays the supporter, Janie, as a adult female who strives to detect her ain individuality. Her fresh “ is a bold women’s rightist novel ” ( Gates 197 ) and was non acknowledged until a ulterior clip when feminism was come oning and after the civil rights motion. Janie symbolizes attitudes of feminism when she takes action to deliver herself from each of three oppressive matrimonies. Janie comes to accept herself as an able-bodied adult female through her matrimonies to Logan Killicks, Joe Starks, and Tea Cake, who each represent different places or constructs of black life in America.

Janie connected with her first hubby, Logan Killicks, through her grandma ( Nanny ) , a adult female that had hopeless visions of black life and believed stableness takes precedence over true love and other ineptitude. Janie wonders whether or non it is imaginable to achieve love, but finally accepts that she can merely “ [ want ] to desire him sometimes, ” ( Hurston 23 ) supplying the reader an increasing feeling that Janie will ne’er be fulfilled with Logan and the life that he personifies.

Logan Killicks did non anticipate to hold Janie as an equal spouse, he intended for her to be his assisting manus in the field. An illustration of his purposes develops when Logan travels to Lake City to purchase a 2nd mule that Janie can utilize to plough the Fieldss. He is be aftering to utilize Janie to increase his net incomes. Janie declines to work at his bid, stating it is non her topographic point to make so. He tells her, “ aˆ¦

Students Paper:

aˆ¦ tells her, “ You ai n’t got no peculiar topographic point. It ‘s wherever Ah demand yuh ” ( Hurston 31 aˆ¦

hypertext transfer protocol: //www.shmoop.com/eyes-were-watching-god/gender-quotes.html

aˆ¦ in mine. ” “ You ai n’t got no peculiar topographic point. It ‘s wherever Ah demand yuh. Git uh aˆ¦

aˆ¦ “ ( Hurston 31 ) .

Janie suffered in this matrimony to Logan. She sensed she was losing her independency every bit good as her individuality. Janie was non herself any longer she was now Mrs. Logan Killicks, and she felt obliged to make what he required. Early into this matrimony, Janie has had enough, and when the chance to travel away with a suave, capturing adult male, she takes the opportunity.

Janie left Logan by get awaying off with Joe Starks, who assures her of a different manner of life. He states, “ Janie, if you think Ah purposes to tole you off and do a Canis familiaris outa you, youse incorrect. Ah wants to do a married woman outa you ” ( Hurston 29 ) . Therefore, she decides to go forth with him in hopes of going a married woman instead than being a field manus with Logan.

At the start of her matrimony with Joe, she felt admired, something she ne’er felt while she had been with Logan. Janie was hopeful about her matrimony to Joe. However, she knew he genuinely was non the adult male of her vision. Very early in Janie ‘s matrimony to Joe, she notices that “ Joe Starks does non rule Janie by coercing her to labour ( as Logan does ) , but by turning her into a thing, transforming her into his trade good ” ( McGowan 113 ) , which establishes a new high quality. He does this by prohibiting her to talk freely, commanding her to have on her long hair up and censoring her to mix on the shop ‘s porch.

Joe besides controls Janie through efforts of physical every bit good as verbal maltreatment. An illustration of physical maltreatment Janie sustains transpires when the dinner she cooks for Joe does non turn out right:

aˆ¦

Students Paper:

aˆ¦ out right:

So when the staff of life did n’t lift, and the fish was n’t rather done at the bone, and the rice was scorched, he slapped Janie until she had a pealing sound in her ears and told her about her encephalons before he stalked on dorsum to the shop. ( Hurston 72 aˆ¦

hypertext transfer protocol: //www.shmoop.com/eyes-were-watching-god/gender-quotes.html

aˆ¦ other things. So when the staff of life did n’t lift, and the fish was n’t rather done at the bone, and the rice was scorched, he slapped Janie until she had a pealing sound in her ears and told her about her encephalons before he stalked on dorsum to the shop. ( 6.185 )

Many aˆ¦

aˆ¦ . ( Hurston 72 )

Janie acknowledges to this maltreatment by withdrawing into herself ; “ [ s ] he had an interior and an outside now and all of a sudden she knew how non to blend them ” ( Hurston 72 ) . This is Janie ‘s merely protective system to maintain her idea of self worth and to halt Joe from damaging it.

Subsequently in the narrative, she fights back against one of Joe ‘s brushs of verbal maltreatment. In forepart of everyone in the shop, Joe humiliates Janie by piquing her glamor and sexual entreaty. Janie attacks back with her ain words:

aˆ¦

Students Paper:

aˆ¦ ain words:

Naw, Ah ai n’t no immature gal no minute ‘ but den Ah ai n’t no old woma

neither aˆ¦

hypertext transfer protocol: //www.shmoop.com/eyes-were-watching-god/gender-quotes.html

aˆ¦ she is old ] : “ Naw, Ah ai n’t no immature gal no minute ‘ but den Ah ai n’t no old adult female neither aˆ¦

aˆ¦ woma

aˆ¦

Students Paper:

aˆ¦ old woma

neither. Ah Reckon Ah looks mah age excessively. But Ah ‘m uh adult female every

inch of me, and Ah Know it. Dat ‘s uh whole batch more’n you kin state. You

big-bellies unit of ammunition here and Put out a batch of crow, but `tai n’t nothin ‘ to it but

yo ‘ large voice. Humph! Talkin `bout me lookin ‘ old! When you pull down

yo ‘ britches, you look lak de alteration Uh life. ( Hurston 79 aˆ¦

hypertext transfer protocol: //www.shmoop.com/eyes-were-watching-god/gender-quotes.html

aˆ¦ ai n’t no old adult female neither. Ah reckon Ah looks mah age excessively. But Ah ‘m uh adult female every inch of me, and Ah know it. Dat ‘s uh whole batch more’n you kin state. You big-bellies round here and set out a batch of crow, but ‘tai n’t nothin ‘ to it but yo ‘ large voice. Humph! Talkin ‘ ’bout me lookin ‘ old! When you pull down yo ‘ britches, you look lak de alteration uh life. ” ( 7.22 )

Both aˆ¦

aˆ¦ . ( Hurston 79 )

Janie ‘s answer back to him was a blow to his self-importance. “ So he struck Janie with all his might

and drove her from the shop ” ( Hurston 80 ) .

In this instance, Janie in a circuitous manner sets Joe ‘s decease in gesture. He no longer verbally abuses her because she strips him of the one thing that is most critical to him, his power. After the episode, she sees him acquire sicker and sicker, until he was incapacitated. Janie overpowers Joe by discoursing with him at his ill bed. She tells him of his insufficiency as a hubby, and he dies while she is in the room. After Janie eventually resists Joe ‘s domination and speaks up her newfound voice comes to life.

Even with all the abolishment that Janie endured in her matrimony to Joe, Janie stayed with him until his death. Janie was non overwrought over his decease. Janie stated, refering to the passing of Joe “ Ah jus ‘ loves dis freedom ” ( Hurston 93 ) . Janie was all excessively delighted to be free of the restraints placed on her by Joe ; Janie went place and fleetly burned her caput shred, the really symbol of Joe ‘s limitations on her.

Janie ‘s following matrimony involves Vergible “ Tea Cake ” Woods. “ Like Joe, Tea Cake appears, in the first case, to be a strictly emancipating force in Janie ‘s life ” ( McGowan 117 ) and he does this by esteeming her as an equal. An illustration of this is when Tea Cake first meets Janie he teaches her to play draughtss. While he is demoing Janie the regulations of the game, Janie has “ . aˆ¦

Students Paper:

aˆ¦ Janie has “ . establish herself glowing indoors. Person wanted her to play. Person thought it natural for her to play ” ( Hurston 95 aˆ¦

hypertext transfer protocol: //www.shmoop.com/eyes-were-watching-god/gender-quotes.html

aˆ¦ and she found herself glowing indoors. Person wanted her to play. Person thought it natural for her to play. That was aˆ¦

aˆ¦ “ ( Hurston 95-6 ) . At this point, Janie receives encouragement from a adult male for the first clip and appropriately, ends up get marrieding him subsequently in the narrative. Another illustration of Tea Cake liberating Janie occurs when he shows her how to hit a gun and how to run. The sarcasm of this title is that she later becomes a better shooting than Tea Cake himself, which subsequently comes back to blight him. Janie now capable of seting nutrient on the tabular array for them by hiting game was extremely unheard of during this epoch. Chiefly, the adult male was the chief breadwinner in the place. “ In this release, nevertheless, merely as in Joe ‘s release, there is besides a rearward side, a side of domination. This domination appears most explicitly in Tea Cake ‘s green-eyed monster and subsequent maltreatment of Janie ” ( McGowan 118 ) .

Tea Cake displays his first grounds of green-eyed monster when he begins to go forth work in the center of the twenty-four hours and medical examination on Janie. She asks him about his rational one twenty-four hours, and he tells her he is afraid that “ [ vitamin D ] vitamin E boogerman apt tuh carryall yuh off whilst Ah ‘m gone ” ( Hurston 132 ) . Janie does non believe him and confronts him about it. She states, “ Tai n’t no boogerman got me tuh survey `bout. Possibly you think Ah ai n’t treatin ‘ yuh right and you watchin ‘ me ” ( Hurston 133 ) . He rapidly convinces Janie that her thought is incorrect and alleges that he desires her excessively much during the twenty-four hours while he is at work, so she will hold to attach to him and labour following to him in the Fieldss.

Subsequently in the novel, Tea Cake validates his green-eyed monster through physical maltreatment. When Mrs. Turner brings over her brother to present him to Janie, Tea Cake reciprocates in his ain manner:

. [ H ] vitamin E aˆ¦

Students Paper:

aˆ¦ H ] vitamin E had whipped Janie. Not because her behaviour justified his

green-eyed monster, but it relieved that atrocious fear inside him. Bing able to flog her reassured him in ownership. No barbarous whipping at all. He merely slapped her around a spot to demo he was foreman. ( Hurston 147 aˆ¦

hypertext transfer protocol: //www.shmoop.com/eyes-were-watching-god/gender-quotes.html

aˆ¦ was over he had whipped Janie. Not because her behaviour justified his green-eyed monster, but it relieved that atrocious fear inside him. Bing able to flog her reassured him in ownership. No barbarous whipping at all. He merely slapped her around a spot to demo he was foreman. ( 17.1 )

In aˆ¦

aˆ¦ . ( Hurston 147 )

A rabid Canis familiaris bites Tea Cake while he tries to forbid it from seize with teething Janie. Days subsequently, he starts to go hallucinating with Rabies come oning its manner through his organic structure. Tea Cake gets so ill that he becomes brainsick. He sidelong accuses Janie of being unfaithful and pulls a handgun on her. Janie anticipates a state of affairs comparable to this earlier in the twenty-four hours and pull a scattergun on him in return. When Janie conceives that Tea Cake is traveling to kill her, she protects herself and hit him before he has an chance to hit her. This is a compelling incident in the novel because, once more, Janie takes control and ends an oppressive relationship on her ain footings. Janie does non stop the matrimony by come ining another, she merely remains free. Janie realizes she does non necessitate Tea Cake in order to populate she merely needs herself.

In Zora Neale Hurston ‘s novel, Their Eyess Were Watching God Janie ‘s journey to her ain individuality was a battle. One filled with finding and self-development. Through her matrimonies to Logan, Joe, and Tea Cake, Janie has hopes to hold her ain individuality separate from anyone else. Her matrimonies throughout the fresh stress what can happen in a male dominated society. Janie had learned from her brushs when she decides that there are “ [ T ] wo aˆ¦

Students Paper:

aˆ¦ T ] wo things everybody ‘s got tuh do fuh theyselves. They got tuh travel tuh God, and they got tuh happen out about livin’fuh theyselves aˆ¦

hypertext transfer protocol: //courses.essex.ac.uk/lt/lt203/LT203 % 20Hurston % 20Their % 20Eyes % 20lecture % 20quotes.doc

aˆ¦ yuh. Two things everybody ‘s got tuh do fuh theyselves. They got tuh travel tuh God, and they got tuh happen out about livin ‘ fuh aˆ¦

aˆ¦ livin’fuh theyselves ” ( Hurston 192 ) . Janie, with her violent death of Tea Cake, has learned how to make precisely this. She now lives for herself merely, dressing in overalls, non sing what others think. Janie has in aspect freed herself from the dominating restraints she had antecedently experienced in a patriarchal universe. Her release and self-empowerment will promote other adult females, doing Their Eyess Were Watching God a compelling feminist piece.

Davison6

List of plagiaristic paperss

A A A A

11 %

hypertext transfer protocol: //www.shmoop.com/eyes-were-watching-god/gender-quotes.html

A A A A

8 %

hypertext transfer protocol: //www.associatedcontent.com/article/137437/feminism_present_in_zora_neale_hurstons_pg4.html

A A A A

7 %

hypertext transfer protocol: //asen4214.blogspot.com/2009_02_01_archive.html

A A A A

5 %

hypertext transfer protocol: //www.exampleessays.com/viewpaper/65128.html

A A A A

5 %

hypertext transfer protocol: //www.collegetermpapers.com/TermPapers/English/The_Role_of_the_Female_in_Male_Dominated_Society.shtml

A A A A

5 %

hypertext transfer protocol: //courses.essex.ac.uk/lt/lt203/LT203 % 20Hurston % 20Their % 20Eyes % 20lecture % 20quotes.doc

A A A A

4 %

hypertext transfer protocol: //e-lib.lib.musashi.ac.jp/2005/Elib/H32-1/008/002.html

A A A A

4 %

hypertext transfer protocol: //asen4214.blogspot.com/feeds/posts/default? orderby=updated

A A A A

4 %

hypertext transfer protocol: //www.highbeam.com/doc/1G1-133018774.html

A A A A

4 %

hypertext transfer protocol: //www.accessmylibrary.com/article-1G1-133018774/womanism-key-understanding-zora.html

A A A A

4 %

hypertext transfer protocol: //www.thefreelibrary.com/ % 22Papa+Legba % 2c+ouvrier+barriere+por+moi+passer % 22 % 3a+Esu+in+Their+Eyes+ % 26… -a0117188859

A A A A

4 %

hypertext transfer protocol: //www.answers.com/topic/their-eyes-were-watching-god-the-novel-in-focus

A A A A

4 %

hypertext transfer protocol: //www.thefreelibrary.com/ % 22Love+me+like+I+like+to+be % 22 % 3a+the+sexual+politics+of+HurstonHYPERLINK “ hypertext transfer protocol: //www.thefreelibrary.com/ ” Love+me+like+I+like+to+be ” : +the+sexual+politics+of+Hurston ” ‘HYPERLINK “ hypertext transfer protocol: //www.thefreelibrary.com/ ” Love+me+like+I+like+to+be ” : +the+sexual+politics+of+Hurston ” s+HYPERLINK “ hypertext transfer protocol: //www.thefreelibrary.com/ ” Love+me+like+I+like+to+be ” : +the+sexual+politics+of+Hurston ” ‘HYPERLINK “ hypertext transfer protocol: //www.thefreelibrary.com/ ” Love+me+like+I+like+to+be ” : +the+sexual+politics+of+Hurston ” Their… -a021059951

A A A A

3 %

hypertext transfer protocol: //www.thefreelibrary.com/Biblical+trees % 2c+biblical+deliverance % 3a+literary+landscapes+of+Zora+ … -a0137098203

A A A A

3 %

hypertext transfer protocol: //mahoneycblock.blogspot.com/2009_02_01_archive.html

A A A A

3 %

hypertext transfer protocol: //findarticles.com/p/articles/mi_m2838/is_2_36/ai_89872236/pg_6/

A A A A

3 %

hypertext transfer protocol: //xroads.virginia.edu/~UG03/hwang/ENAM312-Paper2.doc

A A A A

3 %

hypertext transfer protocol: //www.associatedcontent.com/article/83859/africanamerican_authors_gwendolyn_brooks_pg2.html

A A A A

2 %

hypertext transfer protocol: //www.exampleessays.com/essay_search/Age_Ah.html

A A A A

2 %

hypertext transfer protocol: //www.freeonlineresearchpapers.com/their-eyes-were-watching-god

A A A A

2 %

hypertext transfer protocol: //www.amazon.com/Hurstons-Watching-Blooms-Critical-Interpretations/product-reviews/1555460542? pageNumber=21

A A A A

1 %

hypertext transfer protocol: //www.studyworld.com/studyworld_studynotes/jnotes/TheirEyesWereWatchingGod/Chapter6.html

Master papers text

Debbie Davison

Wiggins

04 December 2010

Female Identity in a Male Dominant Society

In her novel titled Their Eyess Were Watching God, Zora Neale Hurston portrays the supporter, Janie, as a adult female who strives to detect her ain individuality. Her fresh “ is a bold women’s rightist novel ” ( Gates 197 ) and was non acknowledged until a ulterior clip when feminism was come oning and after the civil rights motion. Janie symbolizes attitudes of feminism when she takes action to deliver herself from each of three oppressive matrimonies. Janie comes to accept herself as an able-bodied adult female through her matrimonies to Logan Killicks, Joe Starks, and Tea Cake, who each represent different places or constructs of black life in America.

Janie connected with her first hubby, Logan Killicks, through her grandma ( Nanny ) , a adult female that had hopeless visions of black life and believed stableness takes precedence over true love and other ineptitude. Janie wonders whether or non it is imaginable to achieve love, but finally accepts that she can merely “ [ want ] to desire him sometimes, ” ( Hurston 23 ) supplying the reader an increasing feeling that Janie will ne’er be fulfilled with Logan and the life that he personifies.

Logan Killicks did non anticipate to hold Janie as an equal spouse, he intended for her to be his assisting manus in the field. An illustration of his purposes develops when Logan travels to Lake City to purchase a 2nd mule that Janie can utilize to plough the Fieldss. He is be aftering to utilize Janie to increase his net incomes. Janie declines to work at his bid, stating it is non her topographic point to make so. He tells her, “ You ai n’t got no peculiar topographic point. It ‘s wherever Ah demand yuh ” ( Hurston 31 ) .

Janie suffered in this matrimony to Logan. She sensed she was losing her independency every bit good as her individuality. Janie was non herself any longer she was now Mrs. Logan Killicks, and she felt obliged to make what he required. Early into this matrimony, Janie has had enough, and when the chance to travel away with a suave, capturing adult male, she takes the opportunity.

Janie left Logan by get awaying off with Joe Starks, who assures her of a different manner of life. He states, “ Janie, if you think Ah purposes to tole you off and do a Canis familiaris outa you, youse incorrect. Ah wants to do a married woman outa you ” ( Hurston 29 ) . Therefore, she decides to go forth with him in hopes of going a married woman instead than being a field manus with Logan.

At the start of her matrimony with Joe, she felt admired, something she ne’er felt while she had been with Logan. Janie was hopeful about her matrimony to Joe. However, she knew he genuinely was non the adult male of her vision. Very early in Janie ‘s matrimony to Joe, she notices that “ Joe Starks does non rule Janie by coercing her to labour ( as Logan does ) , but by turning her into a thing, transforming her into his trade good ” ( McGowan 113 ) , which establishes a new high quality. He does this by prohibiting her to talk freely, commanding her to have on her long hair up and censoring her to mix on the shop ‘s porch.

Joe besides controls Janie through efforts of physical every bit good as verbal maltreatment. An illustration of physical maltreatment Janie sustains transpires when the dinner she cooks for Joe does non turn out right:

So when the staff of life did n’t lift, and the fish was n’t rather done at the bone, and the rice was scorched, he slapped Janie until she had a pealing sound in her ears and told her about her encephalons before he stalked on dorsum to the shop. ( Hurston 72 )

Janie acknowledges to this maltreatment by withdrawing into herself ; “ [ s ] he had an interior and an outside now and all of a sudden she knew how non to blend them ” ( Hurston 72 ) . This is Janie ‘s merely protective system to maintain her idea of self worth and to halt Joe from damaging it.

Subsequently in the narrative, she fights back against one of Joe ‘s brushs of verbal maltreatment. In forepart of everyone in the shop, Joe humiliates Janie by piquing her glamor and sexual entreaty. Janie attacks back with her ain words:

Naw, Ah ai n’t no immature gal no minute ‘ but den Ah ai n’t no old woma

neither. Ah Reckon Ah looks mah age excessively. But Ah ‘m uh adult female every

inch of me, and Ah Know it. Dat ‘s uh whole batch more’n you kin state. You

big-bellies unit of ammunition here and Put out a batch of crow, but `tai n’t nothin ‘ to it but

yo ‘ large voice. Humph! Talkin `bout me lookin ‘ old! When you pull down

yo ‘ britches, you look lak de alteration Uh life. ( Hurston 79 )

Janie ‘s answer back to him was a blow to his self-importance. “ So he struck Janie with all his might

and drove her from the shop ” ( Hurston 80 ) .

In this instance, Janie in a circuitous manner sets Joe ‘s decease in gesture. He no longer verbally abuses her because she strips him of the one thing that is most critical to him, his power. After the episode, she sees him acquire sicker and sicker, until he was incapacitated. Janie overpowers Joe by discoursing with him at his ill bed. She tells him of his insufficiency as a hubby, and he dies while she is in the room. After Janie eventually resists Joe ‘s domination and speaks up her newfound voice comes to life.

Even with all the abolishment that Janie endured in her matrimony to Joe, Janie stayed with him until his death. Janie was non overwrought over his decease. Janie stated, refering to the passing of Joe “ Ah jus ‘ loves dis freedom ” ( Hurston 93 ) . Janie was all excessively delighted to be free of the restraints placed on her by Joe ; Janie went place and fleetly burned her caput shred, the really symbol of Joe ‘s limitations on her.

Janie ‘s following matrimony involves Vergible “ Tea Cake ” Woods. “ Like Joe, Tea Cake appears, in the first case, to be a strictly emancipating force in Janie ‘s life ” ( McGowan 117 ) and he does this by esteeming her as an equal. An illustration of this is when Tea Cake first meets Janie he teaches her to play draughtss. While he is demoing Janie the regulations of the game, Janie has “ . establish herself glowing indoors. Person wanted her to play. Person thought it natural for her to play ” ( Hurston 95-6 ) . At this point, Janie receives encouragement from a adult male for the first clip and appropriately, ends up get marrieding him subsequently in the narrative. Another illustration of Tea Cake liberating Janie occurs when he shows her how to hit a gun and how to run. The sarcasm of this title is that she later becomes a better shooting than Tea Cake himself, which subsequently comes back to blight him. Janie now capable of seting nutrient on the tabular array for them by hiting game was extremely unheard of during this epoch. Chiefly, the adult male was the chief breadwinner in the place. “ In this release, nevertheless, merely as in Joe ‘s release, there is besides a rearward side, a side of domination. This domination appears most explicitly in Tea Cake ‘s green-eyed monster and subsequent maltreatment of Janie ” ( McGowan 118 ) .

Tea Cake displays his first grounds of green-eyed monster when he begins to go forth work in the center of the twenty-four hours and medical examination on Janie. She asks him about his rational one twenty-four hours, and he tells her he is afraid that “ [ vitamin D ] vitamin E boogerman apt tuh carryall yuh off whilst Ah ‘m gone ” ( Hurston 132 ) . Janie does non believe him and confronts him about it. She states, “ Tai n’t no boogerman got me tuh survey `bout. Possibly you think Ah ai n’t treatin ‘ yuh right and you watchin ‘ me ” ( Hurston 133 ) . He rapidly convinces Janie that her thought is incorrect and alleges that he desires her excessively much during the twenty-four hours while he is at work, so she will hold to attach to him and labour following to him in the Fieldss.

Subsequently in the novel, Tea Cake validates his green-eyed monster through physical maltreatment. When Mrs. Turner brings over her brother to present him to Janie, Tea Cake reciprocates in his ain manner:

. [ H ] vitamin E had whipped Janie. Not because her behaviour justified his

green-eyed monster, but it relieved that atrocious fear inside him. Bing able to flog her reassured him in ownership. No barbarous whipping at all. He merely slapped her around a spot to demo he was foreman. ( Hurston 147 )

A rabid Canis familiaris bites Tea Cake while he tries to forbid it from seize with teething Janie. Days subsequently, he starts to go hallucinating with Rabies come oning its manner through his organic structure. Tea Cake gets so ill that he becomes brainsick. He sidelong accuses Janie of being unfaithful and pulls a handgun on her. Janie anticipates a state of affairs comparable to this earlier in the twenty-four hours and pull a scattergun on him in return. When Janie conceives that Tea Cake is traveling to kill her, she protects herself and hit him before he has an chance to hit her. This is a compelling incident in the novel because, once more, Janie takes control and ends an oppressive relationship on her ain footings. Janie does non stop the matrimony by come ining another, she merely remains free. Janie realizes she does non necessitate Tea Cake in order to populate she merely needs herself.

In Zora Neale Hurston ‘s novel, Their Eyess Were Watching God Janie ‘s journey to her ain individuality was a battle. One filled with finding and self-development. Through her matrimonies to Logan, Joe, and Tea Cake, Janie has hopes to hold her ain individuality separate from anyone else. Her matrimonies throughout the fresh stress what can happen in a male dominated society. Janie had learned from her brushs when she decides that there are “ [ T ] wo things everybody ‘s got tuh do fuh theyselves. They got tuh travel tuh God, and they got tuh happen out about livin’fuh theyselves ” ( Hurston 192 ) . Janie, with her violent death of Tea Cake, has learned how to make precisely this. She now lives for herself merely, dressing in overalls, non sing what others think. Janie has in aspect freed herself from the dominating restraints she had antecedently experienced in a patriarchal universe. Her release and self-empowerment will promote other adult females, doing Their Eyess Were Watching God a compelling feminist piece.

Davison6