Construction of Gender as Represented In Hollywood Film

Construction of Gender as Represented In Hollywood Film

Hollywood’s ability to symbolize or reflect society and history is yet another factor in the survey of popular civilization through their films.

It is argued that Hollywood movies legitimate conservative political orientations of non merely sexism, but besides classism, patriarchate and racism ( Ryan & A ; Kelner 1990 ) .

One can possibly understand the influence of popular mainstream cultural signifiers and the troubles in insulating gender as the finding factor in societal dealingss in movie if I refer to the controversial adult female centred movie Waiting to Exhale ( 1995 ) .

A sanguine analyst may hold noted that Waiting to Exhale is an authorising women’s rightist text, nevertheless the devices used to lampoon and sarcasm, although humourous, are basically upside-down originals and, harmonizing to Bell Hooks ( 1997 ) are predicated upon rearward dualisms of sexism and racism.

In contrast the cardinal theory in feminist movie unfavorable judgment is that mainstream popular civilization, viz. Hollywood movie, fails to dispute dominant patriarchal constructions in society, gender being the sole form within classical women’s rightist theory.

To excite gender argument entirely on this individual practice is to reenforce the Enlightenment dualities that have informed classical theoreticians.

Subsequently the branchings of capitalist economy and racism are issues that have frequently been negated, both by classical women’s rightist theory and made unseeable within mainstream popular civilization arguably reifying capitalist and Eurocentric hegemony ( ibid. 1997 ) .

Congruous to this analysis, many modern-day theoreticians argue that gender is non the exclusive determiner in representations of adult females and should therefore be analysed in footings of race and category.

Hence representations in movie are the consequences of ternary political orientations, patriarchate, racism and capitalist economy. This paper seeks to turn to three cardinal countries.

The inquiry of gendering in Hollywood movie, the range of women’s rightists analysis in placing issues of race and category and the restrictions of traditional feminist analysis in measuring these complex issues.


  • Hooks, B. ( 1997 ) Reel to Real, Race, Sex and Class at the Movies London Routledge
  • Kellner, D. & A ; Ryan, M. ( 1990 ) Camera Politica Bloomington Indiana University Press